Monday, January 31, 2011
Tuesday, January 25, 2011
Gerd Antz and His Beginnings
Gerd Antz was a master at creating pictographs. He created over 4,000 in his life time. His pictographs created a bridge between different languages and the illiterate to the literate.
They are simple and convey their point quickly. His idea combined with Otto Neurth’s encouragement and support, they created a new movement together with ISOTYPE.
With ISOTYPE, they were able to motivate the proliterate into emancipating from socialism in Vienna with their newly-found literacy and empowerment through Antz and Neurth’s pictographs. His work is now referred to as infographics in today’s world.
Monday, January 24, 2011
Modern Hieroglyphs
It may seem odd that there are modern hieroglyphs, but it is true. We are so accustomed to them - we don’t realize that they exist in today’s world. Signs such as the men and women’s bathroom signs come so naturally to us, it’s just an everyday sighting.
Non-smoking signs is another good example of modern hieroglyphs. We see them everywhere; they are used so often. These are other signs we see, but normally in a computer lab, library, or even a store.
A fun example of an usual hieroglyph, which isn’t really used in everyday life, but more as a moral reminder is shown in the image above. The monkeys are a visual reminder of simple morals.
Tuesday, January 18, 2011
Symbols - Good or Evil? It depends.
A good way to sum up this reading section is a yin-yang symbol. This symbol represents constant change in a circle. Day becomes night and night becomes day. Happiness becomes sadness and sadness becomes happiness. Birth becomes death and death becomes birth. Friends become enemies and enemies become friends. Evil becomes good and good becomes evil.
It's possible for a symbol to change in representation of what it's referencing.
Wednesday, January 12, 2011
A History of Symbols/Brands/Logos
Monday, January 10, 2011
Exercise 1: Icon Set
choose from one of the following typefaces:
Helvetica
Ariel
Chicago
Gill Sans
Peignot
Cooper Black
Century Schoolbook
Bodoni
Bembo
Didot
Baskerville
Garamond
Clarendon
Blackletter
Fraktur
Times New Roman
Research the history of the typeface.
Use the alphabet (converted to outlines in Illustrator) to create a set of 5-9 icons based upon imagery/art/industrial or product design from the time period. (cut up with the knife tool and reassemble)
Your icons should work together as a system and relate in terms of level of detail and scale.
Do not change the letters scale.
Do not skew or distort the letters.
Do not fill in the counters.
Do not change the underlying path of the letters.
(note: this project is an expansion of Hellen Lupton's class project "Helvetica Nation" forGraphic Design II at the Maryland Institute College of Art)
Working with restraints
Conveying ideas through minimal means
Relationships between contemporary design across discipline
Relating parts of a set as development of a style
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